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  7. ANATOMY FOR ARTISTS: The Torso-Bones

ANATOMY FOR ARTISTS: The Torso-Bones

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Marc lectures and demonstrates the bones of the torso-form, location, and relationship to one another.
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0:05
okay so welcome to now the torso section
0:09
artistic anatomy so what I'm going to
0:11
show you with the help of the skeleton
0:14
in this particular section is the
0:16
relevant bones of the torso so what we
0:20
think of in terms of these areas and
0:25
really all bones is how to break them
0:28
down in a more simple more manageable
0:32
volumes in solids to really draw the
0:34
figure well you want to memorize the
0:37
quite frankly the entire skeleton
0:39
skeleton to be able to draw the skeleton
0:42
out of your head from imagination
0:44
imagination and it's really not as hard
0:48
as you think of this it might seem
0:49
daunting at first but what we want to
0:52
know is you want to have knowledge then
0:54
you want to be able to isolate the bones
0:56
and/or the muscles too and then group
1:00
them back together stronger with the
1:03
muscles in the bones and then apply them
1:07
to living anatomy drawing from
1:09
observation or reference and practice it
1:13
daily weekly monthly over years and
1:16
you'll have it and you make your drawing
1:18
stronger no one worrying about Anatomy
1:20
it doesn't solve all your drawing
1:22
problems it's better to come to Anatomy
1:25
over time when you've got some some
1:27
advanced training in before you get to
1:29
you get to Anatomy with the bone serum
1:33
and the muscles so just one one piece on
1:35
that so we do want to memorize certainly
1:38
the skeleton and be able to draw it from
1:40
different positions so let's let's break
1:42
down now the bones of the torso both
1:45
front and back and then after we do this
1:49
will point them out on the skeleton here
1:51
then we'll go to the drawings and work
1:53
on our drawings and I'll show you how to
1:55
how to think about them a little bit
1:57
more simply so that you can put them
1:59
together and see them on the model when
2:02
you draw and then be able to drawing out
2:04
of your head when you need them as well
2:06
all right so let's take a look at the
2:09
positions here the forms here so the
2:11
first thing you want to start
2:13
is obvious in the rib cage so the rib
2:15
cage is just like its name its cage line
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