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- Webtoon Conti Writer: Roles, Differences, and Work Routine Explained
Webtoon Conti Writer: Roles, Differences, and Work Routine Explained
Discover the world of webtoon conti writers and their daily routines. Learn about the differences between being a studio artist and a story-conti specialist. Dive into the workload, challenges, and rewards of being a part of the weekly webtoon production grind.
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Video Transcript
Hello, I'm a webtoon artist, Poto.
In my debut work, I drew all the pictures by myself, but from the next work, I'm working as a story and conti specialist.
Today, I'm going to talk about the difference between when I was in the studio and now that I'm a story and conti specialist.
First of all, the biggest difference is the amount of work.
When I was in the studio, I worked really day and night.
I got up, ate, and worked all day except for the time to clean up the surroundings.
I guess I'm in a good place to live my life because I'm doing everything on a weekly basis.
Friday is Sanha, Saturday is Choi Saek-ah, and then Sikja.
On Sunday, I took a break and organized my future.
It was hard to go out and I didn't have time to enjoy my hobby.
I was just a rookie who just started the year-end festival, so I wasn't used to the deadline.
The weekly webtoon year-end festival is a really murderous amount of work.
In the end, the tired mind and body were combined to cause a burnout.
I'm working as a story-conti writer, but I didn't take it for granted.
While preparing for the next work with the original work,
I was preparing for my next work, and I got a proposal from a platform that sends sample manuscripts.
The story is good, but I want to change the writing.
So I was in charge of the story and the content, and I invited a writer.
At first, I was worried.
I was worried. How should I draw a conti?
If I'm going to draw it, I can draw it step by step, but if there's a painter, I have to make the story and the scene understandable.
It's even an original work, so it's only in my head.
So I drew it hard, and it took me a week to draw a conti with the overall sketch.
A week is the time to finish the whole process, and I can't believe I'm just pouring it into the conti.
In the end, I couldn't get out of the conti for the first work.
As I took charge of the outline of the colored conti, I got more and more know-how, so I was able to draw the conti quickly.
I can draw it quickly.
But I still work on Conti meticulously.
As a Conti artist, I think I should give you a professional Conti.
Conti is a cartoon blueprint.
If the attitude is not solid, it will be a failure.
Conti should be easy to understand what the person is thinking and feeling.
If the picture of Conti is too detailed, it will interfere with the work, so I will write instructions and explanations in a simple but accurate picture.
I heard that there are many cases where Conti is worked in 3D.
I draw it myself because it's convenient, but I think it's a good way to use 3D.
This is my current work routine using Conti.
Monday to Sunday, for a week, Monday, I'm going to make a month's worth of conti.
Tuesday, I put a cross in my conti.
I upload my work on the cloud and move it to the computer, and I clean up by dividing it into 20 pieces for 3 days.
Clean up is a work that draws a crooked Conti frame again.
At this time, I write the effect sheet together.
I write Conti once a month, so the actual work period is 4 days a week.
Then there are 3 days left on Saturday and Sunday.
On Saturday and Sunday, my debut work is being re-edited because it is the day the re-production material is uploaded.
On Sunday and Monday, I make Conti for another original work.
I'm working on a story.
A work by the Gakdae Conti, an original story by the Conti, a work by the Jaehyunzan, a total of three works.
What? Then there's no day off.
You might think like this, but it's different.
The working hours are different.
