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- أوتوجراف: طارق حبيب يحاور أنتوني كوين الشرق الفنان محمود المليجي
أوتوجراف: طارق حبيب يحاور أنتوني كوين الشرق الفنان محمود المليجي
#أوتجراف
#محمود_المليجى
#ماسبيرو_زمان
برنامج: أوتوجراف
"مع.. الفنان الكبير القدير الشهير.. الفائز على وسام الاستحقاق.. والحاصل على وسام العلوم والفنون من الطبقة الأولى.. مع.. قوي الشاشة!!! مع.. وحش الشاشة!!! الفنان محمود المليجي.. أعزائنا المُشاهدين.. هيا نقضي وقت مُمتع"
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Video Transcript
The great, famous, and capable artist, Mr. Mahmoud Al-Maligi,
the winner of the award for the certificate of achievement and the award for the certificate of science and art from the first class,
I welcome you to a new page of the Autograph.
Welcome.
Mr. Mahmoud, if you were to ask yourself, while you are the screen's strong, the screen's criminal, the screen's monster,
what is the weakness of you as a person?
I don't know, I mean, one doesn't know exactly the weakness point that I have, otherwise I wouldn't have done it.
But I feel that the weakness point that I have,
They will say that this is a kind of arrogance, but I am honored to say that the weakness I have is modesty more than need.
I like to carry people on my shoulders without getting tired or saying anything.
This makes some people say that this is a weakness.
I don't consider it a weakness, but this is the weakness I have.
So what is the strength, Mr. Mahmoud?
The strength is that I feel I am doing my job properly,
and that I am not being a coward, and not being a traitor,
and not wiping my nose, and not demanding bribery,
and not looking too much to go from one place to another.
I depend on my work, and that's my source of strength, in my opinion.
Mr. Mahmoud, as a human being, if we were to look at your life,
the artistic caravan, as a film director, you see yourself now.
Tell me, what was the biggest mistake in your artistic life?
The biggest mistake in my life was that I produced.
I have a production company since 1947.
In 1947, when I thought that I was producing not for my money or anything, but because I felt that there were mistakes.
And I said that with my experience in the movies that I made, I could correct these mistakes and make a new film as a model.
And I really started with a film called Al-Muamer.
What is the right thing in your opinion to produce a film that is a honor to the level of a professional artist?
First of all, we say that the film is Egyptian.
It should have the Egyptian spirit in it, from all aspects.
From the story, from the music, from the atmosphere, from the environment, from everything.
This is the first thing.
The material aspects must be complete.
There should not be a lack of material in the process.
Because this lack of material is lost if you have the money to make a full film.
You can do it and it will go in the right way.
But if you have lost the money and you have to go to the distributor,
The director has to make the film based on the characters he has chosen
This is one of the material aspects
The characters must be chosen in a proper way
And everyone should be in his position and age
The third aspect is the commitment to the schedule
And the honesty in the performance
Everyone who works in the operation must feel that he has a big responsibility
And that he must perform this responsibility as it should be
So he performs it with honesty and sincerity
All these elements
I mean, a novel in the cinema or a novel in the theater is like a ball
It must be all homogeneous and understandable
So that it can deliver a sound message
But if one is a bit different from here, the operation will be interrupted
