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  7. Главный секрет «Криминального чтива»

Главный секрет «Криминального чтива»

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English
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Video by: ЛИП
У Криминального чтива есть ещё один автор, но вы явно не слышали про него. Вместе с Тарантино он сидел в одной комнате, перебирал одни сценарные наработки, писал свою часть истории и создавал совершенно новые идеи. Во всех интервью Тарантино держит правду в секрете. Ща расскажу, что было на самом деле. Мой телеграм: https://t.me/fromLIPa Поддержать автора можно на: Patreon - https://www.patreon.com/fromlipa Тайминги: 0:00 – Когда я писал «Pulp Fiction»... 4:29 – В тени лучшего друга 9:54 – Вершина славы 17:24 – Главный секрет Тарантино 22:57 – ...мы делали это вместе... Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" under purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
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0:00
When I was writing Pulp Fiction, I was writing it myself.
0:03
I adapted the second act from the script written by Roger Ivory.
0:07
But you know, it was me on the first page, it was me at the end.
0:12
It wasn't like we were doing it together or something like that.
0:15
I adapted it myself and made all the changes I wanted.
0:20
Ha-ha-ha-ha-ha-ha!
0:22
Great!
0:23
Criminal Prostitution
0:24
Pulp Fiction
0:25
Pulp Fiction
0:26
Pulp Fiction
0:27
Best movie by the millions of moviegoers.
0:33
The main movie of Hollywood.
0:37
Two people go out to get an Oscar for Best Director.
0:40
and the original script.
0:44
One of them becomes a favorite of the audience, and the name of the other is not mentioned
0:50
in any interview.
0:54
Who is he?
0:57
The main secret is Tarantino.
1:01
But wait.
1:03
You may have heard his name.
1:07
He managed to fit himself into the history of cinema not only
1:10
Tarantino's friendship. To better understand why this video is even needed, let's go back to the moment of the first line written by Pulp Fiction.
1:20
Mad Dogs were, to put it mildly, a breakthrough in author's cinema. One of the most influential directorial debuts.
1:27
A new genre narrative. The main hit at VHS, a favorite of the festival and critics. But it was niche fame. Tarantino was not going to be an art house cassette on the shelf.
1:37
he wanted to be a big name.
1:39
Right from the Cannes Film Festival he immediately flew to Amsterdam,
1:43
and at the end of 1992 he packed one suitcase with amazing developments of a huge film
1:48
and, without warning anyone, flew back to the United States.
1:52
Marcello said you're straight from Amsterdam?
1:55
Exactly.
1:56
In just three months in a small rented apartment,
1:59
without any connection to the outside world,
2:01
he wrote hundreds of pages of frankly unrelated dialogues,
2:04
with endless mistakes and disgusting handwriting.
2:08
Hollywood bosses just wouldn't waste their time on this.
2:11
The deadline for submission of the work was burned a couple of weeks ago,
2:14
so Quentin needed impressive, objective edits.
2:19
I've had enough of his shit to give it to you.
2:23
Every great author needs his own editor,
2:26
and the question of what role he plays in the final script is usually omitted.
2:30
In fact, this is a damn difficult and ungrateful job.
2:35
You need not just to correct the marks, dots, comma.
2:39
It is those who do not appear on the carpet tracks
2:41
It's me!
2:42
rely on the main point, getting rid of you from useless chatter,
2:46
even if it is Tarantino.
2:48
Why do everyone think that it is necessary to carry all sorts of nonsense to be normal?
2:52
In the case of the criminal record, this person was Linda Chen.
2:56
For several months in a row, she was collecting the script of the V1,
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