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Full Workflow: How to Animate an Illustration in After Effects

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Video by: Envato Tuts+
Learn how to add animation to an existing illustration in After Effects without compromising the integrity of the original artwork. Follow a step-by-step guide on choosing what to animate, preparing it in Photoshop, and selecting effects wisely.
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Video Transcript

0:00
How do you add animation to an existing illustration?
0:04
A common motion design brief is to take an illustration like this and animate it.
0:08
But it can be easy to get carried away with the delights of After Effects
0:12
and lose the integrity of the original illustration,
0:14
which would at the very least annoy your illustrator.
0:17
In this case, it's Julia.
0:21
I'm Jess for Envato Tuts+.
0:24
I'm Jess for Envato Tuts+.
0:26
I'm a professional motion and graphic designer
0:29
and we are going to walk through how to choose what to animate,
0:32
how to prepare it in Photoshop and animate it, choosing your effects wisely.
0:38
All right.
0:38
So we're in Photoshop and this is Julia's lovely drawing, which is beautiful.
0:43
However, not optimized at all for animation, which is not her fault
0:47
because she didn't think that this was ever going to be animated.
0:50
That's pretty common.
0:52
Luckily for us, we've actually got some layers here.
0:56
Sometimes you might just get given a completely flat illustration and I would
1:00
love to tell you that there is a nifty trick that all motion designers use to
1:06
bring that illustration into motion, but there isn't. It is just a long process of cutting
1:11
pieces out. So luckily we don't have to do too much of that today, but we do need to do a little
1:17
bit of it. So I'm going to show you a little bit of how I would do that to this illustration,
1:21
but skip through the really boring bits for you so you're not here all day. When you first get an
1:26
illustration from, you know, if especially if it's a supplied asset,
1:30
you want to really look at that illustration for inspiration rather than
1:34
coming up with your own ideas and forcing that into the illustration.
1:38
In this instance, there was this really tonal blue twilight scene
1:42
that to me really said twilight.
1:45
And there's some shadows already existing here,
1:48
which are always a fun thing to play with to show the passing of time.
1:51
So to me, it made sense that this animation would then kind of use
1:55
those shadows to show night falling and then then it kind of builds.
2:00
on itself a story where the light turns on and you can add something new to this illustration.
2:05
Sometimes you don't really need to work too hard at this point because you've already
2:09
got this beautiful illustration and you're really just looking to enhance what's already
2:13
there so don't get carried away trying to add bits that don't really fit, just work
2:19
with what you've got and it'll all come together naturally.
2:23
Struggling for a spark?
2:24
Fire up the largest unlimited creative subscription in the world.
2:30
Find and download authentic graphics, templates, photos and fonts.
2:36
Get seriously creative.
2:39
And go supernova with Envato Elements.
2:44
So if I wanted to make these shadows move, these ones behind these bars, what have we
2:50
got here?
2:51
Oh, the first the first thing we're gonna do is name these layers. So this is a top grain
2:57
Like her overall I think you see if I turn that on and off she's got this
3:00
nice grain texture and that'll come in handy later but as I go through them as well I'll
3:05
turn them off so we can see what each layer is.
3:08
This one is a bit, if you hold alt or option and click as well you'll get just that layer
3:17
and actually for this I might even add, going on here to add a new layer and I'm going to

Video Summary & Chapters

No chapters for this video generated yet.

Video Transcript

0:00
How do you add animation to an existing illustration?
0:04
A common motion design brief is to take an illustration like this and animate it.
0:08
But it can be easy to get carried away with the delights of After Effects
0:12
and lose the integrity of the original illustration,
0:14
which would at the very least annoy your illustrator.
0:17
In this case, it's Julia.
0:21
I'm Jess for Envato Tuts+.
0:24
I'm Jess for Envato Tuts+.
0:26
I'm a professional motion and graphic designer
0:29
and we are going to walk through how to choose what to animate,
0:32
how to prepare it in Photoshop and animate it, choosing your effects wisely.
0:38
All right.
0:38
So we're in Photoshop and this is Julia's lovely drawing, which is beautiful.
0:43
However, not optimized at all for animation, which is not her fault
0:47
because she didn't think that this was ever going to be animated.
0:50
That's pretty common.
0:52
Luckily for us, we've actually got some layers here.
0:56
Sometimes you might just get given a completely flat illustration and I would
1:00
love to tell you that there is a nifty trick that all motion designers use to
1:06
bring that illustration into motion, but there isn't. It is just a long process of cutting
1:11
pieces out. So luckily we don't have to do too much of that today, but we do need to do a little
1:17
bit of it. So I'm going to show you a little bit of how I would do that to this illustration,
1:21
but skip through the really boring bits for you so you're not here all day. When you first get an
1:26
illustration from, you know, if especially if it's a supplied asset,
1:30
you want to really look at that illustration for inspiration rather than
1:34
coming up with your own ideas and forcing that into the illustration.
1:38
In this instance, there was this really tonal blue twilight scene
1:42
that to me really said twilight.
1:45
And there's some shadows already existing here,
1:48
which are always a fun thing to play with to show the passing of time.
1:51
So to me, it made sense that this animation would then kind of use
1:55
those shadows to show night falling and then then it kind of builds.
2:00
on itself a story where the light turns on and you can add something new to this illustration.
2:05
Sometimes you don't really need to work too hard at this point because you've already
2:09
got this beautiful illustration and you're really just looking to enhance what's already
2:13
there so don't get carried away trying to add bits that don't really fit, just work
2:19
with what you've got and it'll all come together naturally.
2:23
Struggling for a spark?
2:24
Fire up the largest unlimited creative subscription in the world.
2:30
Find and download authentic graphics, templates, photos and fonts.
2:36
Get seriously creative.
2:39
And go supernova with Envato Elements.
2:44
So if I wanted to make these shadows move, these ones behind these bars, what have we
2:50
got here?
2:51
Oh, the first the first thing we're gonna do is name these layers. So this is a top grain
2:57
Like her overall I think you see if I turn that on and off she's got this
3:00
nice grain texture and that'll come in handy later but as I go through them as well I'll
3:05
turn them off so we can see what each layer is.
3:08
This one is a bit, if you hold alt or option and click as well you'll get just that layer
3:17
and actually for this I might even add, going on here to add a new layer and I'm going to

Video Summary & Chapters

No chapters for this video generated yet.

Video Transcript

0:00
How do you add animation to an existing illustration?
0:04
A common motion design brief is to take an illustration like this and animate it.
0:08
But it can be easy to get carried away with the delights of After Effects
0:12
and lose the integrity of the original illustration,
0:14
which would at the very least annoy your illustrator.
0:17
In this case, it's Julia.
0:21
I'm Jess for Envato Tuts+.
0:24
I'm Jess for Envato Tuts+.
0:26
I'm a professional motion and graphic designer
0:29
and we are going to walk through how to choose what to animate,
0:32
how to prepare it in Photoshop and animate it, choosing your effects wisely.
0:38
All right.
0:38
So we're in Photoshop and this is Julia's lovely drawing, which is beautiful.
0:43
However, not optimized at all for animation, which is not her fault
0:47
because she didn't think that this was ever going to be animated.
0:50
That's pretty common.
0:52
Luckily for us, we've actually got some layers here.
0:56
Sometimes you might just get given a completely flat illustration and I would
1:00
love to tell you that there is a nifty trick that all motion designers use to
1:06
bring that illustration into motion, but there isn't. It is just a long process of cutting
1:11
pieces out. So luckily we don't have to do too much of that today, but we do need to do a little
1:17
bit of it. So I'm going to show you a little bit of how I would do that to this illustration,
1:21
but skip through the really boring bits for you so you're not here all day. When you first get an
1:26
illustration from, you know, if especially if it's a supplied asset,
1:30
you want to really look at that illustration for inspiration rather than
1:34
coming up with your own ideas and forcing that into the illustration.
1:38
In this instance, there was this really tonal blue twilight scene
1:42
that to me really said twilight.
1:45
And there's some shadows already existing here,
1:48
which are always a fun thing to play with to show the passing of time.
1:51
So to me, it made sense that this animation would then kind of use
1:55
those shadows to show night falling and then then it kind of builds.
2:00
on itself a story where the light turns on and you can add something new to this illustration.
2:05
Sometimes you don't really need to work too hard at this point because you've already
2:09
got this beautiful illustration and you're really just looking to enhance what's already
2:13
there so don't get carried away trying to add bits that don't really fit, just work
2:19
with what you've got and it'll all come together naturally.
2:23
Struggling for a spark?
2:24
Fire up the largest unlimited creative subscription in the world.
2:30
Find and download authentic graphics, templates, photos and fonts.
2:36
Get seriously creative.
2:39
And go supernova with Envato Elements.
2:44
So if I wanted to make these shadows move, these ones behind these bars, what have we
2:50
got here?
2:51
Oh, the first the first thing we're gonna do is name these layers. So this is a top grain
2:57
Like her overall I think you see if I turn that on and off she's got this
3:00
nice grain texture and that'll come in handy later but as I go through them as well I'll
3:05
turn them off so we can see what each layer is.
3:08
This one is a bit, if you hold alt or option and click as well you'll get just that layer
3:17
and actually for this I might even add, going on here to add a new layer and I'm going to
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