【Cp1】村上"ポンタ"秀一 That's Recording!～生涯最後のレコーディング～
2021年3月9日（火）に惜しくも他界した、ドラマー「村上“ポンタ”秀一」最後の映像作品
「村上"ポンタ"秀一 That's Recording!～生涯最後のレコーディング～」
を全4回にわたりYouTubeにて無料公開.
第1回放送(Cp1) https://youtu.be/T2TrEEek9X4
第2回放送(Cp2) https://youtu.be/9iY2BETmGOE
第3回放送 (Cp3) https://youtu.be/o3C2XTmvlOg
第4回放送(Final) https://youtu.be/i3u4fHsTpW4
YouTube無料公開に至るまでには葛藤もあった。
この映像作品はDVDで発売予定だったが、制作途上にして氏が急逝してしまう。
「ファンの皆様にとって、これが村上“ポンタ”秀一氏の最後の姿であるならば、私共はできるだけ多くの方に、音楽への想いや技術を見ていただきたい、次の世代へ伝えたいと思い、それならばDVDで発売するのではなく、無料で世界中の方に見ていただく方が良いのではないかと考えました」とは、社長の四月朔日氏の言葉である。
この映像作品はアルファノートが用意したポップス曲を題材に、村上“ポンタ”秀一氏がどう挑むのか、ドラム教則の面も持ちながらテーマを持って案内している。
撮影期間中、コロナ渦に入り、ポンタ氏もライブやレコーディング活動を休止したため、この映像がまさに生涯最後のレコーディングそして最後の姿を映像記録した、非常に貴重な作品となった。
※こちらの作品はご家族の許可を頂いて公開しております。
村上PONTA秀一(1951-2021)公式Twitter
https://twitter.com/murakamiponta
【使用楽曲】
Love in eternity 〜愛よ永遠に〜/Yummi
https://www.amazon.co.jp/FOREVER-EVER-Yummi/dp/B09182N5TK
作詞・歌唱：Yummi
https://twitter.com/ragdoll_yummi
作曲・編曲・ミックス：四月朔日義昭
https://twitter.com/watanscan
レコーディングエンジニア
木村正和（インアンドアウト）
https://twitter.com/masakazu_kimura
スタジオ
DUTCH MAMA STUDIO
http://dutchmama.net/
Install Tubelator On Chrome
Video Summary & Chapters
No chapters for this video generated yet.
Video Transcript
Good morning.
Good morning.
Good morning.
Today I'd like to talk about a song I've been using a lot.
I've been choosing songs from among them and playing them.
I think that the group members will have many opportunities to record songs in the studio.
I have done it before.
I'd like to show you a few ways to play overdubs,
and how to play overdubs in a more traditional way.
I hope this video will be helpful.
I'll show you some tricks with a different fee.
I will teach you the backhand technique.
I started playing the drums.
I listen to the music of various seniors.
The first thing I found in the music was the revolutionary music.
I was very surprised by the big sound.
And the mysteriousness of the notes.
It's extreme, but when I first saw the drums called Tony Williams and Elvin Jones,
I thought they were of a very different type.
I thought it was a very deep thing at first.
And now, this is a relatively recent story, it's been about 15 years,
I was shocked when I heard Chris Dave's drum in New York.
Before that, I heard the soul-type drums of Motown, Atlantic, Bernard Burdi.
When I first came to Tokyo, I thought I was over-diving.
I was diving, and I heard a cup of Hachibura called Ucchin Ucchin Ucchin.
I heard a sound of Uchi Uchi Tachi Uchi Uchi Tachi Uchi.
I thought I was over-diving with Uchi Uchi and Ucchin Ucchin.
When I went to New York in 1924, I saw it right in front of me.
I started playing the drum right away.
At that time, the drum was a revolution.
I wanted to show it to the world.
Nobody had thought of it until now.
I thought there were people like this.
It all connected.
Like Erwin John.
They were all military.
So marching was the basic.
When I heard Erwin John, I thought he was lying.
But he was actually coming from that area.
It's like a footstep.
I think it's a common thing now.
But drumming is about the revolution of musical notes, the revolution of both ways, and the way of using the limbs.
And I think everyone has their own ideas.
Drum is an orthodox instrument.
And there are many people who play the drums individually.
In that sense, Steve Watt is the most revolutionary.
I didn't know how to use it.
I was shocked that a person who started with his left hand came out with his left hand.
It's a very strange method.
When Billy Goham and Lenny White came out, I thought,
