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- Wagner, Nietzsche et le mythe surhumaniste (Giorgio Locchi)
Wagner, Nietzsche et le mythe surhumaniste (Giorgio Locchi)
Les noms de Nietzsche et de Wagner sont bien connus, mais ils ne sont généralement associés que pour parler de leur querelle et, surtout, des textes violemment polémiques écrits par Nietzsche envers son ancien mentor et ami. Loin de s’opposer, Nietzsche et Wagner sont pourtant à l’origine d’une nouvelle tendance historique et philosophique ayant pour but de régénérer l’histoire et de servir de base à une nouvelle renaissance européenne. Cette nouvelle tendance trouve sa première expression dans la fondation et dans la représentation d’un mythe nouveau par Wagner, un mythe qui a ensuite trouvé une première formulation philosophique dans les œuvres de Nietzsche. Et c’est ce mythe surhumaniste que j’aimerais aborder avec vous aujourd’hui, à partir du grand livre de Giorgio Locchi.
Pour vous procurer les livres de Giorgio Locchi : https://nouvelle-librairie.com/?s=giorgio+Locchi&asp_active=1&p_asid=6&p_asp_data=1&termset[product_cat][]=-1&aspf[editeur__3]=&aspf[auteur__2]=&filters_initial=1&filters_changed=0&qtranslate_lang=0&woo_currency=EUR¤t_page_id=11
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Sommaire :
00:00 Introduction
06:49 Pourquoi lire ce livre ?
11:34 La tendance égalitaire
24:44 La tendance surhumaniste
41:35 La perspective wagnérienne
59:48 L'idée de la musique et le temps de l'histoire
01:22:13 Le cas Nietzsche
01:27:06 L'Interrègne
01:34:37 Conclusion
Musique :
- Bach : Passion selon Saint Jean BWV 245
- Mozart : Don Giovanni, Overture
- Beethoven : Symphony No. 7 In A, Op. 92 - 2. Allegretto
- Wagner : Entrance Of The Gods Into Valhalla
- Wagner : Parsifal - Act III (Bayreuth, 1987, Barenboim)
- Arnold Schoenberg : Pierrot lunaire
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Video Transcript
Nietzsche and Wagner's names are well known, but they are usually associated only to talk about their quarrels
or especially to talk about the texts that are violently controversial, written by Nietzsche against his former mentor and friend.
We tend to say that Nietzsche would have known a first Wagnerian phase in his first works,
with the birth of the tragedy or his first considerations, a phase that would have then surpassed him
by taking himself off Wagner's grip to develop his own philosophy.
But the matter is much more subtle and delicate than that.
Because in truth, Nietzsche and Wagner, far from opposing each other, are both...
historical and philosophical trends, whose purpose is to regenerate history
and to serve as a basis for a new European renaissance.
This new historical trend found its first expression in the representation
and the foundation of a new myth by Wagner, a myth which then found its first
philosophical formulation in Nietzsche's works.
It is this new superhumanist myth that I would like to talk to you about today,
by mainly relying on the great book of Giorgio Lochi.
Giorgio Lochi is, in my opinion, one of the most important and innovative European thinkers of the second half of the 20th century.
But he is paradoxically not well known in France,
while it is in this country that he has participated the most in the elaboration of a new and original thought.
What gives me the opportunity to talk to you about it today is the recent edition of two of his works in French
by the Institute of Iliad in partnership with the New Library.
However, as I told you in my last FAQ video, I am now in charge of the
Iliad Institute's publishing department, and I had the great honor of working
on this double edition with Pierre-Louis G. Lochy himself, the son of Giorgio Lochy,
who has made considerable efforts in recent years to defend and
disseminate his father's thoughts to the maximum, and to whom I pay tribute at the beginning
Two books have been published, the first one is called Definitions,
a collection of texts, which is based on the contributions of George Loki
to the New School magazine, on various themes, like
ethology and human sciences, on the Empire, on the structural anthropology
of Levi Strauss, on Nietzsche, Spengler, Armin Moller, history, etc.
It's a remarkable book, composed of short but extremely rich texts,
which allows readers who don't know what Giorgio Lochi thinks to familiarize themselves with it.
Pierre-Louis G. Lochi also asked me to write a small preface to this book
in order to give the reader some keys of understanding to better approach this work.
The second book I'm going to talk about today is the Wagner-Nietzsche and the superhumanist myth.
The previous book is a re-edition of texts already published in French, in the New School magazine,
this book is also an original edition.
Of course, Giorgio Lochi already wrote the basis of this book in the articles of the 30th issue of the New School magazine dedicated to Wagner,
but he then re-managed and refined them to publish this book in Italian in the early 80s.
It is this book that I am going to talk about today, and which was translated in part by Philippe Bayet and Pierluigi Lochi himself.
In order to better explain his intellectual background, I'd like to briefly tell you
a few words about the life of Giorgio Lochi, but I refer you to the introduction
his son wrote at the beginning of this book for more details.
Giorgio Lochi was an Italian philosopher and journalist, born in Rome in 1923,
the centenary of his birth in April of this year, and died in 1992.
After studying law at the University of Rome, he worked for the Italian newspaper Il Tempo
and from 1957 he became the correspondent of this newspaper in France.
Once in France, he attended many circles of young intellectuals,
like the one of the magazine Europe Action, around Dominique Wehner and Jean Mabir,
and he will be one of the 40 founding members of the GRESS,
the European Research and Study Group for European Civilization,
