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- Maurice Barrès, le prince de la jeunesse - entretien avec Jeremy Baneton
Maurice Barrès, le prince de la jeunesse - entretien avec Jeremy Baneton
Maurice Barrès est un grand nom de la littérature française ainsi que du nationalisme moderne. Pourtant, si son importance fut considérable dans l’histoire des idées, son aura a fortement faibli et il n’est plus beaucoup lu de nos jours. On le réduit trop souvent à quelques étiquettes convenues voire infâmantes afin de mieux le disqualifier et de se dispenser d’aller voir de plus près. Pourtant, loin d’être un doctrinaire dépassé, le symbole vieilli d’un passé lointain, Maurice Barrès fut avant tout un homme libre, dont l’énergie, le chagrin ou la quête d’absolu consonnent encore largement à notre époque avec nos propres interrogations.
Or, tel est justement ce que tente de mettre en évidence Jeremy Baneton dans un petit essai consacré à l’écrivain lorrain : Maurice Barrès, le prince de la jeunesse, édité par la Nouvelle Librairie, dans la collection de l’Institut Iliade. Dans cet entretien, nous reviendrons ensemble sur les grands événements de la vie de Barrès ainsi que sur ses grandes interrogations philosophiques et politiques.
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Sommaire :
00:00 Introduction
18:41 Première partie - Le culte du Moi
22:07 Une jeunesse lorraine
27:14 Arrivée à Paris et influences littéraires
32:20 Sous l'oeil des barbares
49:42 L'égotisme barrésien
52:40 Le passage de l'absolu au relatif
59:30 Le passage du Moi au Nous
01:06:15 Jules Soury
01:12:47 L'aventure boulangiste
01:24:46 L'ennemi des lois
01:32:58 Seconde partie - Barrès et le nationalisme
01:39:39 L'affaire Dreyfus
01:47:28 Les Déracinés
02:05:01 Une doctrine sociale pour le nationalisme ?
02:16:27 Maurras et Barrès
02:33:21 Les bastions de l'est et l'Allemagne
02:39:26 Les diverses familles spirituelles de la France
02:40:33 La colline inspirée
02:46:14 Un jardin sur l'Oronte
02:48:56 Conclusion et conseils de lecture
Musique :
- Vincent d'Indy : Symphonie sur un chant montagnard français
- Erik Satie : Gnossiennes 1
- Maurice Ravel : Pavane for Dead Princess
Video Summary & Chapters
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Video Transcript
Maurice Barres is a great name in French literature and modern nationalism.
Yet, if his importance is considerable in the history of ideas,
His aura has weakened and he is not much read nowadays.
He is often reduced to a few labels, even infamous,
in order to better disqualify him and to avoid going to see him more closely.
However, far from being an outdated doctrinian, the symbol of a distant past,
Maurice Barres was above all a free man,
whose energy, grief or quest for the absolute
still resonates widely in our time with our own interrogations.
And this is precisely what Jeremy Banton tries to highlight
Jérémy Banton in a short essay dedicated to the writer Lorrain, Maurice Barès,
the prince of youth, published by the Nouvelle Librairie in the collection of the Institute
Iliade.
I am very happy to receive him today on my channel for the 100th anniversary
of his death.
Jérémy, hello.
Hello Antoine.
Thank you for accepting my invitation to be among us today to talk to us
about this great writer.
It's me who thanks you, it's still an honor to be present on your channel with
so many great names who have already passed.
Let's not exaggerate.
I will let you introduce yourself, as I usually do on my channel.
But first, a few words for our listeners.
You are a special guest, if I may say so,
because you and I have known each other for a long time now,
for several years.
Nine years.
Time flies.
And for good reason, we did our philosophy studies
at the University of Brussels together.
So we have already had the leisure during these years
to talk about Barrezes, Maurras, all these great figures of French nationalism and others.
I am happy to finally have the opportunity to talk about this essay that you have just written.
So, in a few words, can you briefly introduce yourself to our listeners,
tell us a little about your intellectual, family background, as you wish.
So, very simply, I'm Belgian, it's still important.
I'm rather rooted in it, by the way, because I lived in the countryside and I was born there almost all my life.
For 25 years, almost 26 years, because the last two years I had the opportunity to travel to Russia and Moscow, after my studies in philosophy, and now in Poland and Warsaw.
and considering my background and intellectual influences,
I come from a family that is not very literate and not very interested in ideas,
a working class family, middle class, everything that is more normal.
It took me a lot of work during several years when I was in school,
I think you can testify to that.
I can testify to that.
At first, I didn't really focus on letters or philosophy,
I was more interested in mathematics and physics,
It was my passion when I was 16-17 years old.
And then, little by little, I started to rediscover the classics of literature by myself,
with a little surprise at this level, because I'm very interested in Garmentua,