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  7. How To Effectively Blend Major & Minor Pentatonic Over The Blues!

How To Effectively Blend Major & Minor Pentatonic Over The Blues!

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Video by: Damian Bacci
https://damianbacci.com In this guitar lesson, I'll be teaching you a Blues guitar solo that mixes the Major and Minor Pentatonic scales together. Chapters 0:00 Intro 0:30 Performance 1:13 Overview of lesson 7:47 Lesson 8:29 Final thoughts 9:45 Backing track
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Video Transcript

0:02
Today we're going to dive into one of my
0:04
favorite topics, and that's the mixing
0:06
of the major and minor pentatonic scales
0:08
over a blues. And in this lesson, I'll
0:11
be teaching you a solo played over a 12
0:13
bar blues in a major. And this solo
0:16
combines the major and minor pentatonic
0:18
scales together. We'll analyze it, we'll
0:21
discuss it, and by the end of the video,
0:23
you'll have the knowledge to incorporate
0:25
what you've learned into your own
0:26
playing. But first, let me play you the
0:28
example that I'm teaching you today.
0:36
[Music]
1:03
[Music]
1:14
Hi friends, my name is Damian Boti and
1:16
welcome to my back room here in sunny
1:19
Tampa Bay, Florida. Now, the minor
1:21
pentatonic scale sounds great over a
1:23
blues. And it's one of the first scales
1:25
that we tackle when we're learning to
1:27
solo over a blues. The major pentatonic
1:30
sounds great as well over a blues. It
1:32
gives our blues a happy and brighter
1:35
feel. But when we combine both scales
1:38
together instead of just alternating
1:40
from one scale to the next, well, that's
1:42
where the magic happens. Because when we
1:45
do that, we make an average sounding
1:47
solo sound much more exciting. And did
1:50
you know that by creating a hybrid scale
1:52
of the minor and major pentatonic? Well,
1:55
that's what your favorite blues
1:56
guitarists and rock gods have been using
1:59
to create their killer guitar solos. And
2:01
you know, mixing both scales is a great
2:04
balance of happy and sad. And when you
2:06
play a guitar solo that combines both of
2:09
these scales, it's really the true sound
2:11
of the blues. Now, the example that I'm
2:14
teaching you today is in the key of A,
2:16
and I was soloing over a basic 12 bar
2:18
blues progression. And the chords are
2:22
A7, D7, and E7. And over a major blues,
2:27
you can play minor pentatonic and major
2:30
pentatonic. And as a refresher, here's
2:32
the A minor pentatonic scale in the
2:35
first position.
2:41
And here is the A major pentatonic scale
2:44
in the second
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